We hear about his mentor, his influences, his escape to China and then Australia (where he met June).Īnd we get an idea of how he held onto that aesthetic until, in the late ’70s, it came into vogue and “Vogue.” He was saving that “for people who have more money than you.”īut von Boehm uses old interviews, still photos and archival footage to tell the story of a German Jew whose artistic aesthetic was formed in the Weimar (decadent, expressionist) and Nazi Germany (fascist idealization of the human body) he grew up in. Newton cracked to an earlier interviewer that “I’m not going to tell you all that,” the full story of his life, his passions, phobias and romances. Model after model talks about how “strong” and in control he made them feel, even nude, even at the tender ages many models achieve success in their profession.Īnd Rosellini speaks of how “in control” on the set Newton’s wife, June (seen and heard here, too) was, while Helmet “got to play with his toys,” joke around and keep the models at ease. Then we watch him work - “Give me ATTITUDE.” We see the icy glares, the malevolent stares. Movies about them? “Terribly boring” too.ĭirector von Boehm paints a layered portrait of an artist who might very well be “boring” compared to the image we developed of Newton from his photos - oversexed, perverse, devouring the most beautiful women in fashion and film with his camera. Photographers “”are terribly boring people,” Newton confesses. He opens with a challenge Newton gave him, basically from the grave. German TV director Gero von Boehm plays snippets of Newton interviews, on camera and for radio, in the film. Thin, young and inutterably gorgeous kind of goes without saying. The fashion editor Anna Wintour notes how he found “a type,” the “Helmut Newton woman,'” “tall, blonde, lots of lipstick.” NEVER vulgar.”Īnother actress/model who came under his gaze, Isabella Rossellini, sees “an attraction to and anger towards” his subjects. She hastens to add words that others in the new documentary, “Helmut Newton: The Bad & the Beautiful,” echo - “Never vulgar. One of his favorite models, Grace Jones, cackles when she remembers that “He was a little bit pervert, but so am I!” Often provocatively posed and photographed. The iconic fashion, art and portrait photographer Helmut Newton (1920-2004) described himself, half-dismissively, as “a professional voyeur.” Elaborating, he said “I photograph a body, a face, legs…”Īlways women.
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